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    Dolby Laboratories (DLB): The Invisible Tax on Media Quality

    1. Executive Summary

    Dolby is a standard-setter. It does not manufacture TVs or phones; it owns the physics of how they sound and look. With a high-margin licensing model and $1B+ in cash on the balance sheet, Dolby is a defensive compounder with a new growth vector in visual technologies (Dolby Vision) and automotive audio.

    Key Thesis Points

    1. The Atmos Standard: Dolby Atmos has effectively won the "spatial audio" war, becoming the default format for Apple Music, Netflix, and Disney+. This ubiquity ensures continued royalty streams.
    2. Dolby Vision Adoption: Expanding beyond premium cinema into consumer mobile (iPhone recording) and social media content creates a new layer of licensing revenue.
    3. Automotive Opportunity: The car is becoming the "third living room." Dolby's partnerships with Mercedes, Lucid, and Volva to embed Atmos systems open a high-volume TAM.

    2. Business Overview

    • Licensing (90%+ of Revenue): OEMs (Samsung, Sony, Apple) pay Dolby a fee for every device sold that decodes Dolby Audio or Video.
    • Products & Services: Cinema servers, conferencing hardware, and Dolby.io (developer APIs).
    • Moat: Patents and "The Ecosystem." Content is mixed in Dolby; therefore, playback devices must support Dolby to give the consumer the intended experience.

    3. Financial Analysis

    (See Financials Tab for live data)

    • Gross Margins: Exceptional (~90%) due to the pure licensing nature of the business.
    • Cash Flow: extremely capital efficient. Low R&D relative to output.
    • Cyclicality: tied to consumer electronics shipments (PC, Mobile, TV). A weak macro environment for handset sales impacts Dolby directly.

    4. Valuation

    Dolby rarely trades at "SaaS multiples" because it grows like a mature industrial utility.

    • Dividend & Buybacks: Management returns significant capital to shareholders.
    • Intrinsic Value: The value lies in the patent portfolio and the longevity of the standards. Audio standards tend to last decades (e.g., Stereo, 5.1).

    5. Risks

    • Open Standards: Competition from open-source codecs (like Google's VP9/AV1) or Samsung's HDR10+ attempts to bypass royalty fees.
    • Patent Expiration: As core patents expire, blended royalty rates can decline, forcing Dolby to invent new "must-have" standards to maintain pricing power.
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    companies • 1/1/2026

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